enjoying the Easter egg hunt that happened for the kids there
and while the potroast bubbled and simmered away
in its crockpot set on top of the stove
{which made our little prairie home smell wonderful by the way}
Mr. Ethereal, my hubby bear, and I watched old favorite
movies.
After watching A Dog’s Purpose which if you haven’t seen it
is absolutely wonderful.
Keep tissues near as you will laugh and cry.
;)’
Then I pulled out our next latest $5.00 video bargain and one
of the best love stories out there:
You’ve Got Mail.
Now you might ask yourself what in the world does
You’ve Got Mail
Tom Hanks’ character Joe Fox and Meg Ryan’s
Kathleen Kelly
have to do with design??
In this scene Jean Stapleton’s character has invited the girls over for a farewell to the Shop Around the Corner tea luncheon. The setting with all its books, the tea table, the garden chairs and plants bringing the outside in is just beautiful, isn’t it?
Well the answer is…. Everything!
I love how the movie was staged. The furniture
the lighting and the decorations on the walls.
The brownstone row houses set in New York City.
Timeless. Classic.
Like my favorite Waverly linen pattern called
Norfolk Rose on the couch and on some of the pillows.
{This must subliminally be why I ended up buying
two yards of it last year to make my couch’s pillows!}
You get to see our home as it really is… 🙂 Loved and with a small glowing electric fireplace.
And our home when it is clean and shiny beautiful for you!
I crack up each time I watch this movie when Joe talks about
The Godfather as being the I Ching ~ the Nirvana
of everything.
And an explanation of everything according to him and it would seem every other American male out there.
Even my hubby understands the reference and it is
part of his psyche.
Weird.
😉
But really it’s the love that develops over time that I love about You’ve Got Mail ~ the relationships between the coworkers and
Kathleen and Greg Kinnear’s character and how there’s love there
between he and Kathleen.
But eventually there can only be one great love…
And the always romancing songs with notes just the right
pitch winding its melodic way in the background of the story
culminating in the actualization of a love that
will stand the test of time.
Timeless and classic
Then there is Kathleen Kelly’s bed and the scene where Joe
comes over to visit when she’s sick…
I have noticed this is also why I fell in love at High Point Market with the beds at Eloquence…
sigh!
You Do Know that I gave our old dark cherry bedframe
to our daughter as it was a queen size and we bought
a California king??
We will have to be buying a new bedframe at
some point…
And probably buying a smaller king mattress as in the
houses we are looking at here in Texas…
the Cali isn’t going to fit.
😀
And of course books and the mom and pop book shop
versus the newfangled idea of the big box store was all new
twenty years ago and feature throughout this movie
and are characters in themselves ~ along with then newbie
America On Line which we all know now
and love as just plain AOL.
Did you ever think that email would just become a
part of the fabric of our daily lives??
They are remaking memories
Whether it is intentional on the part of producers Nora and Delia Ephron or not that although many smaller bookstores would
go by the wayside the memories of loving books and stories
though changing where we would buy and read them
would remain and never die.
Even the movie itself is like a second or third remake
of a good old late 1930’s classic and this is talked about in a
10 year reunion with the Ephrons, Hanks and Ryan!
Kathleen Kelly climbs into bed while Joe Fox brings her tea over and tucks her in. Love the gilding on this bed! Although today we would probably change the stripes out for a solid linen this bed is still a classic design.
They come full circle
So they come full circle with bookshops changing to meet the needs of the times and for me there is also the scene with Kathleen Kelly’s bed…
I love that bed and it looks like some of the beds I saw at Eloquencewhile touring there this past fall. And then last year while wandering around Dillards at one of the malls in Frisco or Plano I found this bed by Cynthia Rowley.
Whether one of these companies made the bed used in this movie with it’s striped Ralph Lauren 1980’s look or another big design house made them…
I love the curving design of the headboard from You’ve Got Mail and it’s sweet antique quilt and comfy bed linens and the bed’s Gustavian-Louie posts.
Timeless, classic and still on trend and chic!
A photograph I took of books while visiting Second Impression Antique shop in South Dakota.
Remember
I do miss a favorite old bookstore that used to be in Temecula
when we first moved to Murrieta, California in the early 1990’s
and it was called The Little Professor.
I took my two kids there for storytime along one painted wall with children’s book characters brought to life there was a hole.
This hole was big enough for even adults to crawl through so that
we could all go inside and back in time to enjoy the best
stories of our childhood.
Somewhere over the rainbow
But eventually there can only be one great love…
Keep the tissue box nearby
And I won’t spoil it for you if you’ve never seen this movie.
But do go rent it or buy it online somewhere
and enjoy the beautiful set designs
the city of New York in the fall and the wonderful romantic comedy that it is.
Sharing with Wow Feathered Nest Friday Sweet Inspiration Thursday Favorite Things
Crystal embedded faucet handles, or taps, for your bath and kitchen. The lovely ladies who work for THG ~ sorry, bad iPhone photo shots!
Kitchen and Bath
1. THGa French company which I am just learning about, has some really exciting bath products for the lavatory. Their lead designer has used tiny Swarovski crystals in several of their taps {aka “handles”} giving those pieces such a textural and tactile experience! For this girl who just came out of 14 years working with autistic children, you’ve got to get these for your kids!
They will LOVE the feel of these!
THGalso asked Lalique, the company famous for their incredible crystal vases and perfume bottles, to fashion their crystal into the prettiest rose and apple taps and fixtures you’ve ever seen {the pomme collection}. I’m sorry I didn’t take a closer picture for you, but please check out their company website online HERE. Seriously in love with all of their line! Their idea is that these pieces should be “jewelry for your home.”
2. Miele {pronounced Mee-Lay} is a German company which makes a full range of kitchen and bathroom appliances, vacuum cleaners and hardware for the kitchen and bath. These aren’t technically an individual “new product” per se; however, they are new products in an established line and they are new to me so I’m sharing them here with you. 😉 These ranges have closed burners which are particularly nice to keep food from falling down below the cooktop, and I also really like the burners as they are large enough but move easily, good for people with grip issues.
Love these double ovens! Couldn’t you see yourself cooking a Thanksgiving turkey in one and your pie and other goodies in the other all at the same time??!
I’m hungry already!
Miele’s hardwarecomes in a wide range of colors
{some shown on this display board} and styles to fit yours or your client’s home and aesthetics. Please hop on over to Miele to see their full product line.
Home Decor
3. Universalcame out with these really cute chrome and cararra marble hexagonal-shaped tables. I was in love the minute I saw them since I live in my “Small Cottage” and we need our tables to be small. These cuties can be grouped and moved around super easily as each only weighs about 10 lbs. or so. Universal had a contest to see who could style their tables the best and the winner would win a table. Obviously, I didn’t win one. Sad face…. 🙁 I’m still thinking I might call them up and see about buying one {or two or three} as they are super cute and portable! Universal is only available to the trades; however, you can look them up online at: www.universaltothetrade.com.
Jickie Torres ~ editor of Country Cottages and Bungalows
Hello from Beverly Hills and the
Design Bloggers Conference!
Today I thought I’d share a little about styling your own
photoshoots like a professional.
This was the talk Jickie Torres and Courtney Allison
two of my favorite photo stylists and designers
gave on Sunday afternoon.
Jickie is the editor of Cottages and Bungalowsmagazine
and
Courtney is the photographer and blog-author of
French Country Cottage
one of my favorite blogs out there
in Blog Land.
Together they spoke about creating
good quality photos and the differences between
creating photos for your blog -vs-
creating photos aimed towards
magazine publication.
Two slightly different ways of photo shooting
that I think most bloggers wouldn’t just
intuitively realize.
Courtney of French Country Cottage
In this slide, Courtney compared two
of her photographs and talked about how
the one on the left is more of what the industry
calls “a vignette scene.”
See how it’s more of a “close-up?”
It shares more details like the pompom ruffle
around the chair pillow,
the thick plush down seat cushion
and of course
the ever sweet doggie!
These kinds of photographs work great
on your blog, but for editorial print work
there needs to be more of a “room shot.”
Editors also need your photos to
“tell a story.”
Jickie mentioned to make your photos
realistic ~ have a cup on the table,
drape a blanket over the chair’s arm.
You want those things in your scenes to draw a
reader in and make him or her
want to jump right into the picture and just
plop right down making oneself
right at home.
🙂
Well, those are just two of the big takeaways
from Jickie and Courtney’s talk late
Sunday afternoon!
There’s sooo much more to share from conference and I’ll be sharing more in tomorrow’s post.
As always, feel free to share this post and any others and please sign up if on my sidebar and follow along on Twitter, Instagram and Facebook as I’m posting video and other photos there.
The Settee cover’s debutante party! I love how it turned out!!! After a couple of weeks noodling how I was going to stretch 202″ of fabric leftover for skirting to fit around a sofa that needed 200″ which didn’t include inseams… I finally came up with the solution: Gusset inserts of 11″ widths x 9″ tall of beautiful Battenburg lace.
I wanted to use the lace but wasn’t sure where to cut the drop cloth to get it all to work. That’s what has been holding this post up. 😉
I pulled out the side gusset so you could really see the fabric, but normally it will be tucked under a bit.
There was a lot of pinning and re-pinning. Also had to remove pins from under the skirt as I went (that were holding on part of the welting, not already sewn down) I felt like a very couture seamstress!!!
Another view of pinning around the skirt
Really loving this new slipcover! At month’s end, on payday, a trip to Lowe’s will be in-order… to pick up another drop cloth for Settee #2… (you can see it peeking out over to the left there!) Pretty nice and oh so ready for fall’s afternoon cups of tea and some fun reading. ***Thank you for “Liking,” “Sharing,” and “Following” my posts! Feel free to invite your friends and please leave a comment for me. Let me know what you’d like to see in a How-to post. Enjoy!!!
Browsing through an old favorite decorating book a couple of days ago ~ Victoria Magazine’s Intimate Home ~ Creating a Private World
I found this settee with the front-sections RUCHED!
It was definitely a God-thing. (He does that sometimes.) I was in heaven! You know that feeling you get when you gasp, your mouth drops open and your eyes open wide? Yep, it was one of those ahah moments when I knew this was exactly how I wanted to finish my settee cover.
So… I was wrong… There will probably be five posts on Making a Settee Cover. Oh, well! It’s a woman’s prerogative, is it not, to change her mind? 😉
*Updated 2018* Making a Settee Cover, Part 1 Post 2 Post 3 Post 5 ~ Drop Cloth Settee Cover Reveal
So, I got busy making a paper pattern of my “arm-front.” I traced the sofa’s arm edge on both the front-side and the back-side of the paper. When you trace on the back side, just lay your pencil along the sofa’s side and press forward while pressing the paper inward. This will give a nice line that will be the same width as your sofa’s arms, perfect so your cover fits nicely in the front!
I retraced from the front, also, checking once in a while to see if what I was drawing was pretty close to what I had drawn on the back. It was. 🙂
I marked-in the sofa’s wooden piece and extended the drawing down to the “seat-deck’s” seam line. I really liked how the settee in the photograph had a lot of ruching!
I knew that without much texture to the painter’s drop cloth that this cover was going to need something. Theruching is it!
Make the paper pattern by pinning it to the couch while tracing.
Couch’s 1980’s/1990’s wood ornamentation
Re-adding this photograph. 🙂
Update 2018 ~ I had photos for you sharing more on ruching but I guess when I transferred the post from Weebly they didn’t come over.
How to make ruching
Measure the length of the line going around the outside edge of the couch arm and double it. Cut your fabric width leaving 1/2″ extra for the side and inner seams to the inset piece. Cut your inset fabric piece by creating a separate pattern piece and laying on your fabric to your desired placement. Here I wanted certain Battenburg lace parts showing. Cut the insert with 1/2″ seam allowances. Gather the ruching pin to the inset piece and the sofa arm while pinned on the settee ~ this requires you to have most of the rest of the sofa pieces already sewn together. *Plus having the welting already sewn in place along the settee’s arm edging if using. *Adjust your gathers as you go. Seems to me I pinned to the sofa first then to the inset piece so I wouldn’t have to keep readjusting the gathers…
On a final note about welting,
here are a few more photos as I am placing the welting into the “back seam.” 🙂
p.s I would love it if you’d “Share me!” Thank-you!
At the end of Part 2,the “back piece” was realigned with the “front piece” at the upper back of the settee, centers of both pieces together. The pins were in-place along the lower back of the settee marking the height of the “seat-deck” around the sofa. These will be used to transfer to the lower part of the “back piece” later on.
Pin the “back piece”across the top of the sofa’s back, attaching it to the “front piece” all the way across out to the arms and to the back edges of the sofa. Match up the seam lines, if you have drawn those on your pieces. Draw your cutting line in and readjust your lines as necessary as you pin this piece to the sides of the sofa.
Tip: I like to pin my pieces directly to the whatever piece of furniture I am working on! It makes it easier to align the pieces. Make sure there is enough fabric beyond the sides of the sofa which will be sewn to the sofa’s “side pieces.” Check the “floor-to-pins”-measurement against the bottom of the “back piece” and mark these on the back piece. (We will recheck and make final marks once the cover is all sewn together, just before attaching the skirt.)
Look at the remaining yardagechecking where the weft (the sideways “give” ) is again. Measure the “side part” of your sofa/settee. Mine was 8-1/2″ by 30-1/2″ so I cut my pieces out 1″ larger for the seam allowance. (displayed in this photo)
Here is my sketch showing the “side part’s” measurements.
Now drape the remaining yardage over one of the sofa’s arms (Drape and cut out one sofa arm at a time.), keeping the weft going across the arm. Think of the unstretchable part, the warp, as the part going from the front of your sofa to towards its back along the sofa’s arm. The stretch will go from inside the sofa’s arm towards the outside and over the arm ending at the “under-arm seam.” (see photo above)
Tuck in your yardage but pull it taught along the sofa’s arm-top. There will be some folds created that will be gathered into the seam as it is sewn later-on. Draw in your seam-line. I did this by pulling-up the part that was tucked-in and creating a curved line along the inside area of the fabric perpendicular to the “seat deck.” Leave several inches of fabric extra in the lower third to half of this “arm-piece” to tuck-in later into that inside seam. This extra fabric will be the looseness needed to pull the completed settee cover over your piece of furniture without making it too tight. I like my furniture covers pretty tight, but you may want yours to have a looser fit. 🙂
Pin together the “arm-piece” to the “front-piece” creating tucks to take up the extra fabric.Drape, mark and cut-out the other “arm-piece,” drawing lines and creating tucks as needed. Put the tucks in roughly the same place as on the opposite arm.
Pin togetherthe “arm-pieces” to the “seat-deck” beginning from the back of the seat coming forward. This will ensure that there is enough fabric where it needs to be tucked later. Clip the seam allowance as needed to get the pieces to marry-up. Cut a 1/2″ or 5/8″ seam allowance away from your drawn line. In this next photograph, you can see how I left extra fabric for that inside “arm-piece” and that I drew in all of my lines. Draw-in and cut-out the part along the back of the sofa where the “back-piece” will join to this “arm-piece.”
Now, take off what you have pinned together and sew these seams. I plan on sewing my arm and seat seams first then I’ll re-fit those pieces to the sofa and then pin the “back-piece” and the “side-pieces” on, sewing them next. 🙂 If you plan on using welting on any of these seams, now is the time to make it before you sew your seams. I plan on putting welting along the “upper back seam”, but not on the “inner seam” here. Also, I will be put welting around the “skirt,” along the “side-seam” and around the “front-arm pieces,” which have not been made yet.
Time to make Welting! 🙂
Okay, “welting” is made by cutting out fabric on the bias, or across the diagonal. What you will do is put your “cording” in-between lengths of your remaining fabric. Figure out how much fabric you will need to make your welting. My cording is 1/4″ wide, so I will cut mine at 2-1/2″ wide which will leave enough fabric, once folded and sewn, to have for a seam allowance. Cut out lengths of this over and over, then stitch these lengths all-together. You’ll need enough welting to stitch into every seam in which you plan on having welting, so add up all of your seams’ measurements to get a rough estimate. More can be created later-on if you start running out. 😉
Sew the cording inside the fabric right next to the cording. Use your zipper foot. FYI: Welting is cut on the bias so that it can stretch in two directions making it conform to whatever shape needed. Sew the cording into each seam in-between the pieces of fabric remembering to face the welting towards the right side of your pieces. You can always attach it to one piece, then sew the opposing piece on next instead of trying to sew all three together at once.
Cut out the “front-arm pieces” and stitch on welting. Sew these into the sofa cover.
Making the skirt — take your “floor-to-seat-deck” measurement for the height, and measure around the sofa’s total widths for your width/length.
Decide if you want:
Lightly gathered skirt — multiply by 1-1/2 times the sofas ‘s widths
Fully-gathered skirt — multiply the width by 2 times
Pleats all around — take a lot of fabric, like a kilt. I don’t recommend them here, but they look really cute on chairs!
Pleats on just the sofa corners, and maybe the front and back centers — this is what I am using since my width of usable fabric is barely once around my sofa. I am using two of my remaining, original, pre-seamed pieces of the drop-cloth for the skirt (Less sewing!). I have another fabric that I am going to add-in at each spot, then pleat the drop-cloth fabric over the top of this insert.
Last time we left off I was getting ready to show you how to measure for the back-piece of the sofa. My original measurements showed this sofa as 33″ from the floor to where the center of the wood curve is at the “upper back.” This settee used to have a decorative oak arch along the top, but I grew tired of it and it made the sofa look really 90’s, so I took it off, padded the space, and stapled and pulled the upper back fabrics together. This has created a new “arch” that looks great, but is a bit unsightly the way I finished it, especially since I move the sofas around a lot and like them away from the walls. 🙂 In addition, now without that oak piece, the added benefit is the two settees look more like a pair. 🙂 Anyway, this is one of the reasons I wanted to make a slipcover for this and the other settee. 😉
Here I have left the original 12′ of canvas drop-cloth fabric just hanging over the back of the sofa. The seat-deck is tucked-in with it’s seam in place. I have drawn a line where I want my back-piece seam to be. I cut 5/8″ BELOW this back-line to create the seam-allowance. This is where I will add-in welting. The side-seam and its seam-allowance are ready to go!
How to Make a Settee Cover (cont.)
Step 6, really— For the “back-piece” of the sofa cover, cut BELOW your drawn line either 1/2″ or 5/8″ for your seam allowance. Also, if you have put that “drop cloth seam” over at your sofa’s edge like I did, above, cut that off, too. Cut it off just PAST the seam (in my case, just to the left of the seam). This will create a seam-allowance for joining your “arm-piece” to the “front” and “back” pieces. The right side was already up-to-and-slightly-overlapping the right edge, so no need to cut anything over there except where the fabric needs to be cut off for the arm. The rest of the length of yardage, put aside for just a second.
Find the center of the curved-over “front piece.” Place a glass-head pin there. This can be easily done by pulling the piece up, folding the piece itself in half and marking the middle with your pin and/or marking with a pencil, or by doing the following. Tip: This is how you can also mark-off “store-bought pattern pieces” without having to cut out those little triangles or squares where you will match-up pattern pieces — just put a 1/4″ slit perpendicular into the fabric, like you would do when “grading a curve.” This eliminates the need to cut-out those “tabs.” Makes getting to your sewing faster!!!
Now,re-tuck and lay the “front piece” back down along the sofa’s upper back-edge. Carefully, realign the drawn edge back along the wood edge. Realign the side edges, which you should have drawn-in before so you can see where to stitch after everything comes off. 🙂 If you haven’t already done this, do so now. 🙂 *** Sorry if I didn’t make this very clear in the last post! Trying to think of it all. 🙂 — (top photo)
Rehang the back-piece — Take the remaining length of fabric and pin it back to the “front piece.” I did this with overlapping my 5/8″ seam in the middle (fold this fabric in half along the cut-off edge, pin as for the “front-piece”, above, finding the center point in this next piece, the new “back piece,” going ABOVE the curved line of the settee’s back. It will look like a big box at first.
Redraw the wooden piece’s curve onto this new “back-piece.” I like that you can feel the wood piece below and can use it as a guide. Your sofa may not have one, so make an arc as best as you can. Cut your “seam-allowance” ABOVE this newly-drawn curve. Now you have the upper curve of the “back-piece!” After I drew the curve, I unpinned and took the whole canvas off moving over to my table to cut the curve over there. I wanted to make sure my “seam-allowance” for this piece was going to be correct. I folded my fabric over, rechecking my center point. This also gives you the point to match-up with the “front piece.” Make sure you have enough fabric to get to your sofa’s side edges. If not, add in fabric with extra seams to the “back piece” on both sides to make your piece work for you.
Measure the heights from the five pins along the back’s lower seam will be. These should all be the same height as your “deck-height” from the “front seat-deck piece.” Adjust as necessary. Our floor is slightly irregular as we laid it ourselves. My measurement is 12-3/4″, so now measure from each pin vertically up to where a vertical line would hit along your sofa-back’s curve. Write those measurements onto your drawn diagram of your Back View. Transfer all those lengths to your “back piece,” then cut off the remaining fabric length. This is what I have already done in this photograph.
Here I have shown several things at once: * Measuring up from the floor, you can see where the pins have been placed along the back (above the blue painter’s tape, at 12-3/4″/12.75″ off of the floor) where the sofa skirt will attach. * The yard stick is there as a guide to show various lengths — the height of the pin at that point, about 33″ off the floor. * The painter’s tape at the upper center along the curve shows the upper-middle of the sofa where both pieces are pinned together.
My original post didn’t include this next photograph, so I hope this helps!
***
I hope you are enjoying this little series on how to make a slipcover for your sofa!
🙂
I have tried to make this simple enough for anyone to sew.
I may not have enough photographs for those of you who are beginners but I’ve tried to be thorough in the written details.
Today I thought I’d sharethe sofa cover I am starting for one of our living room’s settees. Perhaps you have thought about doing the same with your favorite, comfortable but worn sofa! Well, they aren’t that difficult to do. 🙂
Start by taking your sofa’s measurements. Draw pictures on paper of your sofa and put all of the sofa’s measurements. These details may seem very simplistic, but I find that many things my daughter and I try to create from the internet aren’t detailed enough. (upper photo)
Sofa’s main measurements I was looking specifically at the “from-the-floor” to the “seat-deck” height. This sofa’s height is 12-3/4″. I used this height to place quilter’s pins all the way around the sofa at that height. This will be my height where the sofa’ skirt and welting will be sewn in later-on.
Measure twice — As the old saying goes before you decide to start cutting. I bleached a super large painter’s drop cloth from a big box building supply store, the 9′ x 12′ one, specifically for this project. This took about two days to get it to bleach out enough. After I get it all sewed together, I may bleach it again.
I am trying for a Shabby Chic white-look. These canvas cloths are tough, a whole lot of fabric and the cost is Perfect! Just over $20.
Look at your cloth and drape over your sofa. Check the cloth’s parts for where the stretch is in each section. If the cloth has odd pieces sewn-in to “fill in” to make the drop cloth the right size, check all of the pieces.
My cloth’s “extra piece” was rail-roaded, which means it was turned sideways and sewn in. Cloth has vertical, non-stretch warp and that’s the part you want going “up” on most of the parts of your sofa, if that makes sense. Warp helps the fabric keep its shape. The stretchy, sideways weft is what you want going “around” the sofa, and over the curving arm-parts. The weft is what will “give” so that it can cover the sofa appropriately when put on.
Creating the pattern — So, as you go to cut your pieces out, you are creating the pattern right on the sofa. I like to begin with the seat deck (take off the pillows and cushion, obviously). My fabric had a seam running through the length of it horizontally. This was perfect for the stretch to run sideways, so I used that seam to “tuck in” at the back where the seat deck meets the front sofa-back. This saved on sewing as the seam was already done! (see 2nd and 4th photos above)
Cut out around the sofa’s arms on this first cut piece. Leave a seam allowance of the standard 5/8″, or as I learned from my tailoring instructor in college, you can just take a 1/2″ allowance on all of your pieces. Up to you what you prefer. (see Sofa-Deck, front photo — the second photo down)
Welting can be seen here in this photo, above, on a chair cover I made a few years ago. Welting is the self-covered cording used to stabilize and add decoration to chair cushions and covers. In another post I will discuss how to create welting.
Well, this is where we will stop for today. Have a super weekend!
***To be continued*** *Update 2018*
Here are the links to the following four posts.
A long series but I was really thorough when I wrote
this as I thought I might create a lot of sewing and
craft posts ~ and I do.
🙂
Making a Settee Cover ~ Part 2 Part 3 Ruching ~ Part 4 Making a Sofa/Settee Cover ~ The Reveal
Sharing with Happiness is Homemade ~ The Painted Hinge Wow ~ Savvy Southern Style